A Complete Guide to What to Expect at Art Basel Miami Beach: An In-Depth Vibe Analysis

While navigating the notorious Collins Avenue traffic, I received a message from an art adviser in our group chat asking, “Vibe check?” This inquiry captured the essence of the current atmosphere in Miami Beach amid Art Basel. Following successful art fairs in London and Paris, the art market appeared to be thriving. However, Miami Beach, which welcomed VIPs on Wednesday, felt the impact of an increasingly crowded art fair schedule, resulting in fewer galleries and collectors attending.

How can we define the current vibe? It resembles a frustrating gridlock, prompting the fair to utilize water taxis to transport VIP collectors across the bay, a whimsical detail noted by Time Out Miami. The experience was further enhanced by local delights, such as the David Grutman smoothie at Joe & the Juice, which featured a blend of Irish sea moss and algae powder. Social media buzzed over a quirky video of artist Alec Monopoly, who humorously claimed to be the first to turn private jets into art by cutting them up.

The unsettling rhythm of Art Basel

Stuck in traffic, I tuned into Easy 93.1, where the DJ addressed the rising costs associated with Art Basel, suggesting it had become prohibitively expensive. He also mentioned outdoor art installations, underscoring the atmosphere’s influence by these escalating expenses. At NADA, a satellite fair typically showcasing emerging galleries, prices had notably increased due to inflation, shipping fees, and tariffs.

Although I was not directly purchasing art, I found NADA visually captivating. Highlights included a striking piece by Tamo Jugeli at Polina Berlin, vibrant works by Ben Werther at Amanita, and small yet compelling paintings by Max Xeno Karnig at Castle. I was particularly drawn to the hauntingly colorful yet dark paintings by Seth Cameron at Entrance, and the evocative photographs by Jackson Markovic at Hawkins Headquarters.

Sticker shock moments

The only moment of genuine sticker shock occurred when I ordered a small bottle of sparkling water at a café, which cost $7.62. “Ah, art fair prices!” chuckled the cashier, a sentiment that resonated with numerous attendees.

Next, I visited the Rubell Museum, where I serendipitously met Mera Rubell. She graciously escorted me to Jon & Vinny’s, a restaurant that opened within the museum last year, to introduce me to artist Thomas Houseago, whose expansive survey exhibition occupied a significant space in the museum. As Houseago concluded his lunch with fellow artist Alexandre Diop, he offered to give me a tour.

Art as a reflection of personal journeys

Houseago’s work, which features impressive large-scale sculptures from earlier in his career, now includes newer pieces that reflect his journey through deep therapy. These works delve into his personal struggles, providing insights into his past trauma and artistic evolution. He explained how each piece emerged from the frontal cortex, indicating a profound connection to his experiences and emotions. The intensity in his eyes conveyed much as he guided me through the exhibition.

Upon entering the gallery, Houseago expressed amazement at how his latest works were prominently displayed. The curation, handled by the Rubells and the museum’s director, left him in awe of the arrangement. Among the standout pieces were two massive wooden sculptures titled Madness Devouring Our Children and Disassociation Demon Birth, both created in a feverish state during a heatwave in California and not for the faint-hearted.

Art as a challenging form

Mera Rubell succinctly stated, “Art isn’t just about aesthetics; it’s challenging and reflects real-life experiences.” This philosophy was evident throughout the museum, culminating in a visit to the Institute of Contemporary Art Miami, nestled between a Supreme store and a Tesla dealership. The ICA showcased the late Joyce Pensato’s work, enriched by loans from a diverse array of collectors.

At the Bass Museum, I encountered Jack Pierson leading a personal tour of his exhibition titled “The Miami Years.” This exhibition traced his artistic journey from his time living in Miami and featured works he created during that period. Pierson fondly recalled the skeptical reactions he received when he revealed his address in a neighborhood once perceived as risky.