When fashion weeks and film premieres meet: three short stories from New York to Paris Fashion and film frequently collide: front rows filled with actors, red carpets that double as runway stages, and public outings that feed headlines across cities and seasons. This report follows three linked strands of verifiable, on‑the‑record moments: marquee faces at New York Fashion Week (Fall/Winter 2026), a documented timeline of public sightings involving Leonardo DiCaprio and Vittoria Ceretti, and Angelina Jolie’s wardrobe at the Paris premiere of Couture on February 9, 2026. Entries are limited to photographed appearances, credited press reports and on‑the‑record statements. Method: the account favors observable facts—arrivals, seating, press photos and public travel—over private speculation. Dates and locations are included only where they were reported by reputable outlets or captured in the public record. Who showed up at New York Fashion Week, Fall/Winter 2026 – The season’s shows brought the usual mix of designers, editors, models and celebrity guests. Photographers recorded Amanda Seyfried, Lana Del Rey and Tessa Thompson at multiple presentations and showrooms, underscoring the ongoing crossover between film, music and fashion. – Front‑row placements continue to serve as signals of brand priority and editorial attention. This section limits itself to confirmed appearances and credited images rather than interpreting commercial impact. A concise, verifiable timeline: Leonardo DiCaprio and Vittoria Ceretti (public sightings) – Who: Leonardo DiCaprio and model Vittoria Ceretti. – What: A series of public outings—festival appearances, concerts, yacht outings and photographed strolls—documented by press photographers and reported by mainstream outlets. – Key, reported moments (all items are public sightings unless otherwise noted): -: The pair were photographed at Cannes during festival screenings, first widely reported public interaction. – June 27, 2026: Attended a wedding in Italy that drew coverage of many celebrity guests. – July 18, 2026: Photographed aboard a yacht in Saint‑Tropez. – August 16, 2026: Seen on a yacht near Ibiza with others from the fashion world. – September 6, 2026: Photographs from Ibiza showed them dancing; one report quoted DiCaprio referring to Ceretti as his “girlfriend.” – September 8, 2026: Ceretti accompanied DiCaprio to a Los Angeles premiere. – September 18, 2026: Both present at a Milan Fashion Week event. – September 24, 2026: Photographed leaving Milan’s Pinacoteca Ambrosiana together, accompanied by DiCaprio’s mother, Irmelin Indenbirken. – October 12, 2026: Caught on matching Citi Bikes in New York. – October 22, 2026: Seen walking a Pomeranian in New York. – October 28, 2026: Photographed at a Halloween event appearing affectionate. – November 11, 2026: Ceretti marked DiCaprio’s birthday in public reporting. – December 14, 2026: Photographed together in Paris. – December 27, 2026: Press images showed them kissing during a Los Angeles shopping outing. – Context and caveats: these are observational records—images and credited reports that document public interaction. They do not, and cannot, confirm private intentions, relationship terms or future plans. When outlets published follow‑up coverage (for example, around engagement speculation tied to a ring image), sources cited to clarify the object’s provenance were reported alongside the photographs. Angelina Jolie at the Paris premiere of Couture (February 9, 2026) – On February 9, 2026, at the Pathé Palace in Paris, Angelina Jolie arrived in a floor‑length gown that married sheer panels, metallic beading and floral motifs. The look invoked traditional couture construction while staying true to Jolie’s measured red‑carpet sensibility. – Stylists and press photos linked the ensemble to the film’s fashion‑world themes; statements and credits from Jolie’s team and photo agencies were used to identify the designers and key details. – The outfit served both as costume extension and publicity: a single red‑carpet silhouette that connected the movie’s subject matter to the wider fashion conversation. Why these overlaps matter – Runway seats, premieres and public outings are more than spectacle: they’re a record of cultural positioning. A celebrity in the front row or on a premiere carpet shapes editorial focus and can steer brand narratives. – At the same time, public visibility is not the same as commercial or personal finality. Photographs and appearances map attention, but they don’t substitute for private confirmation or long‑term metrics. What to expect next – The strands documented here—NYFW front rows, a sequence of public sightings, and a couture red‑carpet moment—illustrate how fashion and film continue to intersect in plain view. Future coverage will follow the same rule of thumb: cite photographed appearances and credited reporting, separate observation from inference, and flag where facts end and speculation begins.
celebrities at fashion week and the story behind leonardo dicaprio and vittoria ceretti
