Dakota Johnson describes her production company, TeaTime Pictures, as a vibrant and enchanting space that fosters creativity. Established in 2019 with former Netflix executive Ro Donnelly, their office features eclectic decor, including posters of classic films and a collection of Spice Girl Barbies. For Johnson, moving away from the sterile confines of a corporate environment is crucial for nurturing artistic expression.
From the outset, Johnson and Donnelly aimed to create films that resonate with their vision. Their efforts quickly bore fruit, with their film Cha Cha Real Smooth winning the Sundance audience award and subsequently being acquired by Apple TV. The duo also achieved success with Am I OK?, acquired by Warner Bros. and HBO Max, and Daddio, featuring both Johnson and Sean Penn, distributed by Sony Pictures Classics. Their latest project, Splitsville, premiered at the Cannes Film Festival, further establishing their reputation in independent cinema.
The challenges of being taken seriously
Despite their accomplishments, Johnson and Donnelly have faced skepticism about the legitimacy of their production company. Johnson reflects on the initial hurdles, expressing frustration over the industry’s perception of female actors venturing into producing. “It’s a constant battle,” she admits, noting that while male actors often face less scrutiny, women must continuously prove themselves in the industry.
A supportive creative environment
The duo’s commitment to fostering a positive atmosphere on set translates into the quality of their films. Johnson draws from her childhood experiences, growing up around filmmakers and witnessing the dynamics of various sets. “The best environments are those filled with respect and kindness,” she states, emphasizing that a collaborative and nurturing space generates the most rewarding creative outcomes.
Donnelly complements Johnson’s vision by managing the logistical aspects of their productions, allowing Johnson to infuse her creative flair into their projects. “I handle the organizational side, while Dakota brings the magic,” Donnelly shares. This synergy between their distinct strengths has enabled them to successfully navigate the complexities of film production.
Expanding their creative horizons
Beyond filmmaking, Johnson and Donnelly launched the TeaTime Book Club, aiming to engage their audience with literature. Johnson, an avid reader, cherishes the opportunity to explore works by emerging authors and connect with their narratives. “Books expand our understanding and inspire our storytelling,” she explains, highlighting the significance of literary exploration in their creative process.
Looking ahead: ambitions and goals
As they prepare for upcoming projects, including Elaine May’s Crackpot and Johnson’s directorial debut A Tree Is Blue, the duo remains focused on their aspirations. They seek to produce films that are not only unique but also challenge conventional storytelling. Johnson expresses a desire for greater financial backing, stating, “We have ambitious ideas that deserve a larger budget.”
Both Johnson and Donnelly are determined to pave the way for independent filmmakers, emphasizing the importance of supporting innovative storytelling. Johnson’s vision encompasses a future where audiences are eager to experience films in theaters, appreciating the artistry of cinema while connecting through shared narratives. “We want to make incredible projects that resonate with viewers,” she states, underscoring their commitment to quality.
In their pursuit of creativity, the pair aims to cultivate an enjoyable working environment. “Ultimately, we just want to have a good time,” Donnelly concludes, reflecting on the joy that filmmaking brings to their lives.
