Whitney White, a Chicago native, has quickly become one of the most promising and talented directors in the theater industry. Her directorial debut, Jaja’s African Hair Braiding earned her a Tony Award nomination in 2026, and her work continues to captivate audiences and critics alike.
White’s current projects include directing a revival of Whoopi Goldberg’s one-woman show at the Lincoln Center Theater and preparing for the Broadway premiere of School Girls; Or, The African Mean Girls Play at the Manhattan Theatre Club. Her ability to juggle multiple high-profile projects speaks volumes about her dedication and passion for theater.
The Whoopi Monologues: A Reimagined Classic
The Whoopi Monologues, running at the Mitzi E. Newhouse Theater through August 30, is a reimagined revival of Goldberg’s groundbreaking show. The production stars a powerhouse ensemble cast, including Kerry Washington (through August 2), Kara Young and Kecia Lewis. Goldberg’s show, which launched her career in 1984 with the help of Mike Nichols tells the stories of five Black women and their experiences with society.
White emphasizes the importance of these stories, stating, “The way that Black women tell stories is valid and needs to be heard — and is entertaining and will give you meaning in your life.” She also highlights Goldberg’s unique perspective, noting that “all of the characters weren’t necessarily based on Black people, but because she was a Black woman performing it, it became a political gesture. And I think that’s very powerful.”
From Singer to Director: Whitney White’s Journey
White’s journey into theater began with a love for singing. She was convinced she would become an opera singer but found her true calling in acting and eventually directing. Her world opened up to the broader scope of theater after graduating from Northwestern and starting her professional acting career in Chicago.
Growing up, White was inspired by big musicals like Les Misérables and The Phantom of the Opera. She also credits Lynn Nottage’s plays for deeply influencing her, particularly her work on the premiere of Ruined at the Goodman Theatre. White’s love for live music and concerts also plays a significant role in her life, with Nine Inch Nails being one of her favorite bands.
The Power of Storytelling and Individuality
White’s approach to directing is rooted in the power of storytelling. She believes that every story has a lesson to offer and that listening to others can be incredibly enlightening. In casting the five women for The Whoopi Monologues, she sought individuals who embodied the essence of the monologues and were uniquely different from each other.
“When you have the patience to listen to a stranger’s story, there’s gonna be a lesson in there for you” White says. She also emphasizes the importance of individuality in a world that often promotes conformity. “It’s still OK to be an individual, to be yourself” she asserts, highlighting the need for authenticity in both art and life.
Challenges and Solutions in the Theater Industry
Despite her success, White acknowledges the challenges faced by women directors, particularly Black women, in the theater industry. She questions why talented individuals are not given more opportunities and calls for a collaborative effort to find solutions. “We’re no longer living in a time when anyone can say, ‘The talent is not there’” she states, emphasizing the need for inclusivity and representation.
White also addresses the sustainability issues in Broadway, citing Andrew Lloyd Webber’s comments about the high costs of producing shows. She believes that identifying the problem is the first step and that everyone involved in the industry must come together to find solutions. “You never know if you have the keys to someone else’s door” she notes, encouraging a collective approach to problem-solving.
Keeping Herself Together
Balancing multiple projects and personal life can be challenging, but White finds solace in the things she loves. She enjoys attending concerts, visiting museums, and engaging with inspiring literature. Her three-year-old son also brings immense joy and keeps her grounded. “You’ve got to keep chasing the things that make you feel inspired to engage with society” she advises, highlighting the importance of self-care and personal fulfillment.
