After more than two decades away from French films, Jodie Foster graced the Cannes Film Festival with her presence once again, captivating audiences with her performance in Vie Privée (translated as A Private Life). This film, directed by Rebecca Zlotowski, marks a significant milestone in Foster’s illustrious career, as it is her first leading role in a non-English-language film. The actress, who has been fluent in French for most of her life, faced the daunting challenge of delivering nearly all her lines in a language that, while familiar, posed unique difficulties.
Embracing the challenge of a new language
Foster, a two-time Oscar winner, described the experience of learning lines in French as a “huge challenge.” Speaking over tea in a Cannes hotel, she expressed the complexities of memorizing dialogue in a different language, especially as one ages. “When you get older, it’s really hard to learn lines—so learning lines in a different language is one hundred times harder,” she remarked. However, her dedication to the role was evident from the film’s opening scenes, where she portrays an American therapist in Paris entangled in a darkly comic murder mystery.
A unique cinematic journey
Foster’s career has always been characterized by a European sensibility, often opting for roles that challenge her as an actress rather than chasing blockbuster fame. In A Private Life, she embodies Dr. Lilian Steiner, a character grappling with personal and professional turmoil following the mysterious death of a patient. The film navigates themes of public versus private life, a concept that resonates deeply with Foster, who has maintained a level of privacy throughout her career. As she delves into the psyche of her character, Foster reveals, “I think I’m a different person in French than I am in English—I’m a much lighter person in French. I’m not as confident. I’m a little more vulnerable.”
Innovative storytelling through AI
In a groundbreaking move, Zlotowski incorporated artificial intelligence to create dream sequences that explore the subconscious of Foster’s character. This innovative approach not only enhances the narrative but also reflects the evolving landscape of cinema. Foster expressed her apprehension about AI in filmmaking, stating, “I’m just petrified by it. I’m a bit of a Luddite.” Yet, she acknowledged the emotional depth that AI brought to the film, allowing for a unique exploration of human experiences.
Rekindling old flames
Another intriguing aspect of A Private Life is the romantic subplot involving Foster’s character and her ex-husband, played by French cinema icon Daniel Auteuil. Their relationship adds a layer of complexity to the narrative, as they navigate their past while investigating the circumstances surrounding the patient’s death. Foster’s chemistry with Auteuil is palpable, and their shared history enriches the film’s emotional landscape.
A celebration of artistic expression
As the film premiered at Cannes, both Foster and Zlotowski reflected on the significance of the festival in their careers. For Foster, Cannes has been a pivotal platform since her debut as a teenager in Taxi Driver, while Zlotowski has returned multiple times, each time with a new story to tell. The festival not only celebrates cinematic achievements but also fosters connections between artists, allowing them to share their journeys and insights.
In A Private Life, Jodie Foster not only returns to the screen but also redefines her artistic boundaries, embracing new challenges and exploring the depths of human emotion. Her performance is a testament to her enduring talent and a reminder of the power of cinema to connect us all.