Known for her ability to imbue characters with remarkable depth, Rebecca Ferguson is no stranger to blockbuster films. Her impressive performances in franchises like Mission: Impossible and Dune have set her apart as a talented actress. In her latest venture, Ferguson reprises her role as the formidable Lady Jessica in the highly anticipated Dune: Part Three. However, it is her portrayal of Captain Olivia Walker in A House of Dynamite, directed by the renowned Kathryn Bigelow, that truly captivates audiences.
Set against the backdrop of an escalating nuclear crisis, this gripping film premieres in select theaters on October 10 and on Netflix on October 24. It features a stellar cast that includes Idris Elba, Jared Harris, Tracy Letts, Anthony Ramos, Greta Lee, and Jason Clarke. Yet, it is Ferguson’s nuanced performance that lingers in the minds of viewers. Captain Walker is not only managing a chaotic situation within the White House’s situation room but is also grappling with the well-being of her young son, adding an emotional layer to her character.
The intensity of storytelling
Bigelow, known for her meticulous attention to detail, creates a palpable intensity in her films, as seen in The Hurt Locker and Zero Dark Thirty. Ferguson reflects on her first encounter with Bigelow, admitting, “I was quite nervous knowing how intelligent she is.” However, she quickly discovered a warm and inquisitive spirit behind the director’s formidable reputation. “She took all of that away so quickly,” Ferguson recalls, highlighting the director’s calm demeanor.
Experiencing the film with an audience
Ferguson attended the Venice Film Festival, where she experienced the film’s emotional impact alongside an audience. “It’s incredible to see it with a crowd,” she shares. “Venice is beautiful, but there’s a unique energy in a regular audience setting.” The actress notes the peculiar tradition of standing ovations at film festivals, commenting humorously on how the duration of applause seems to overshadow genuine reactions. “Kathryn stood up after two minutes and said, ‘I think we’re good,’” Ferguson laughs, recalling the light-hearted atmosphere.
Insights into the character and preparation
To accurately portray Captain Walker, Ferguson engaged deeply with the real-world mechanics of her role. She consulted with Larry Pfeiffer, a former senior director of the White House situation room, who provided invaluable insights. “I was encouraged to ask anything I wanted,” she explains. “The primary goal was to ensure accuracy.” This dedication to authenticity is evident in the film’s portrayal of the operations under extreme pressure.
The reality of crisis management
Ferguson learned that the professionals in the situation room are highly trained individuals, often more prepared than the elected officials they support. “They train extensively for emergencies,” she states, highlighting the contrast between their rigorous training and the unpredictable nature of political leadership. This realization deepened her appreciation for the gravity of her character’s responsibilities.
Emotional depth and personal connections
Ferguson’s portrayal of Olivia Walker is not merely a depiction of a strong leader; it is also an exploration of the emotional turmoil a mother faces in crisis. Drawing on her own experiences, Ferguson navigated this complex dynamic. “I had moments on set where I felt overwhelmed with emotion,” she admits. In one instance, a spontaneous interaction with a child’s toy added a genuine touch to her performance, showcasing the blend of professional and personal elements that inform her characters.
The film resonates with contemporary anxieties surrounding global politics and nuclear threats. Ferguson emphasizes that the narrative does not point fingers at any specific political figure but rather critiques the wider systems in place. “The real antagonist is the structure itself,” she explains, inviting viewers to interpret the film through their own experiences.
Rebecca Ferguson’s reflections on the world today
In a world filled with uncertainty, Ferguson shares her struggle to stay informed while safeguarding her mental health. “I don’t read the news,” she admits, explaining her desire to curate her information sources. Despite her awareness of global events, she finds it challenging to engage deeply without feeling overwhelmed. “It’s a sad place right now,” she expresses, echoing the sentiments of many.
As she prepares to return to the Dune universe, Ferguson’s passion for her craft remains unwavering. She expresses excitement about filming in Iceland, where she looks forward to exploring new landscapes and stories. “I love the depth of characters I get to portray,” she states, reflecting on her artistic journey.