Oliver Hermanus’s latest film, The History of Sound, which premiered at Cannes, invites audiences to reflect on the complexities of love and longing during a time of societal repression. Set in 1917, the film follows two young men, Lionel and David, whose connection blossoms amidst the backdrop of impending war. This poignant narrative, based on a short story by Ben Shattuck, explores the delicate interplay between personal desire and the harsh realities of their era.
A tale of two souls
At the heart of the film lies the relationship between Lionel, portrayed by Paul Mescal, and David, played by Josh O’Connor. Their initial meeting is marked by a shared passion for American folk music, which serves as a catalyst for their burgeoning romance. The film captures the essence of their connection through subtle glances and unspoken words, creating an atmosphere of quiet yearning. Hermanus skillfully avoids overt displays of affection, instead opting for a more nuanced portrayal of intimacy that resonates deeply with the audience.
The impact of war on love
As the narrative unfolds, the specter of war looms large, separating the two lovers and altering the course of their lives. David’s return from the trenches is a pivotal moment, as he invites Lionel on a journey through rural Maine, where they record local singers and share tender moments in a tent. This setting evokes comparisons to other iconic gay dramas, yet Hermanus’s approach remains distinctively understated. The film’s emotional weight is derived from its exploration of how external circumstances can shape personal relationships, a theme that remains relevant in today’s world.
Music as a metaphor for connection
Throughout The History of Sound, music serves as a powerful metaphor for the characters’ emotional states. The film posits that Lionel and David’s love is akin to an eternal folk song, a melody that persists despite the challenges they face. As the story progresses, the audience witnesses the profound impact of their relationship on their individual identities. Mescal’s portrayal of Lionel captures the essence of a man grappling with his desires in a world that seeks to suppress them, while O’Connor’s David embodies the complexities of privilege and vulnerability.
In its bittersweet conclusion, the film leaves viewers with a sense of longing and reflection. The narrative resonates with anyone who has experienced the ache of unfulfilled love, reminding us that the pursuit of connection is a timeless human endeavor. Hermanus’s film, while steeped in historical context, speaks to contemporary audiences, highlighting the universal themes of love, loss, and the enduring quest for acceptance.
