Ever walked out of a theater feeling like the world just got a little more vivid? That’s exactly how many viewers feel after watching Sorry, Baby. Directed and written by Eva Victor, this film leaves a lasting impression long after the credits roll. It is a captivating blend of humor and depth, focusing on the life of Agnes, a character whose journey through trauma resonates deeply.
The Journey of Agnes
Sorry, Baby is structured uniquely, mapping out Agnes’s life through different years—such as “The Year With The Baby” and “The Year With The Really Good Sandwich.” However, “The Year With The Bad Thing” serves as a euphemism that encapsulates the confusing nature of trauma. The film does not shy away from the complexities of human experience. In a recent interview at Sundance, Eva Victor expressed the desire to showcase the often unrepresented aspects of trauma: the confusion and disorientation that can follow such experiences. “I spent years floating, just trying to accept that I went through something bad,” they noted.
In crafting the script, Victor isolated themselves in Maine for a winter, accompanied by their cat and a supply of split pea soup. This dedication is evident in the authenticity of the writing, which reflects real-life struggles. The film serves not just as a narrative but as a poignant reflection of human experience, felt in every frame.
Friendship at the Core
At the heart of Sorry, Baby is the profound friendship between Agnes and Lydie, portrayed by Naomi Ackie. Their bond exemplifies the warmth and complexity of relationships. However, as life often dictates, Lydie’s path diverges from their small town, leaving Agnes feeling trapped in her past. This sentiment resonates with many—how does one move forward when the past continues to exert its pull?
Agnes’s journey transcends mere healing; it navigates the transitions of life and their impact on friendships. The film captures moments of awkwardness and vulnerability, with Victor commenting on audience reactions to Agnes’s character: “I thought she was acting legitimately normal, but okay.” This raises a salient point—how often is awkwardness simply part of the human experience?
A Blend of Humor and Heart
What stands out about Sorry, Baby is its remarkable ability to balance humor with profound themes. Viewers may find themselves laughing one moment and tearing up the next. This delicate balance is expertly navigated by Eva and the cast. The film presents an honest portrayal of trauma’s repercussions and one individual’s path to recovery, serving as a reminder that healing is neither linear nor straightforward; it is often messy yet interspersed with moments of joy.
If you have yet to see Sorry, Baby, it comes highly recommended. It is the kind of film that ignites conversations long after leaving the theater. What about you? What’s your favorite movie this year? If you’ve seen Sorry, Baby, I would be interested in hearing your thoughts. Additionally, what are your top three movies of all time? It would be intriguing to know which films you can watch repeatedly.
P.S. The stunning visuals in the movie significantly enhance the storytelling experience.
